8. June 2022
Music , Opinion
I recently came across the following video, which is an "all star" cover of Boston's classic song "Foreplay/Long Time," which I thought I'd review.
I have to be honest - I disliked this video from the opening notes. As a guitar player, I am always highly critical of keyboard players who have spent far too much time trying to create a keyboard patch that approximates a guitar sound... I always think, "There's already guitarist here - why not leave the guitar parts to him and stick to your own instrument?" (e.g. Play in your own sandbox & keep outta mine...) I feel the same way when keyboardists try to steal the basslines from the bassist; further proof that keyboardists have an overinflated sense of importance that almost parallels lead vocalists (who typically think they're gods). In other words, the keyboardist lost me barely one or two seconds into the video, so this odd excursion wasn't a good start for me.
Once past the faux guitar intro, the keyboardist (Lachy Doley) did a good enough job with the organ part, but then - as others have pointed out - the wrong vocalist (Dino Jelusick) began to belt out the verse in his best Heavy Metal stylings. (Ugh.) My dislike for Jelusick's vocals in this cover version weren't simply because Brad Delp's original vocals are inimitable, but because Jelusick's vocals were totally wrong for this song.
As far as the guitarists were concerned, the slide part (from Justin Johnson) was... well... INTERESTING, but I wouldn't call it "good." It sounded like someone down on the bayou was drunk and playing along with the radio. On the other hand, the guitar solo in the bridge (from Joel Hoekstra) was a hastily-slapped-together montage that consisted of an odd set of completely nonsensical choices, which paled by comparison to Tom Scholtz's brilliantly melodic original; my ears are still bleeding from the resulting maelstrom of cacophony. Much like Jelusick's vocals, Hoekstra's guitar parts were completely out of place for this song.
The only decent parts of the song were the rhythm section of Henrik Linder on bass and Mike Portnoy on Drums. Even with little embellishments here and there, Linder and Portnoy laid down a solid groove that respected the original while putting a bit of themselves into their performances.
Despite those few positive elements, in my final opinion - this entire offering gets a big, fat "no" from me.